Pharmacy and herbal lore were parts of the classical Dioscorides’ Greek common heritage and of the traditional african medicine
Journey to the End of the Night (Voyage au bout de la nuit, 1932) by Louis-Ferdinand Céline. Trad. Ralph Mannheim. This semi-autobiographical novel described the Céline’s voyage of in post-World war I French colonial Cameroun where he is hired by the lumber company Sangha-Oubangi as a supervisor and as director of a cacao plantation. Céline creates his own ‘voyage imaginaire’, in which the antiheroes Ferdinand Bardamu and his alter ego Robinson were involved with the commerce of rubber produced by a wild African climber. The history, people, locations, and events occurred in south of Senegal (Casamance). The novel is illustrated by drawings of Brosselard-Faidherbe (1892). This is the discovery of the colonialism that Céline denounces on exceptionally ferocious pages in regard to white society.